Wychwood Weddings: Our Latest Library Exhibition

This article was written by Carol Anderson to accompany an exhibition of wedding photographs from the Society’s collection spanning the later 19th to mid 20th century.

Topics

Wychwood Weddings Photographs | Wedding Fashions Early 1900s | Wedding Fashions 1920s and 1930s | Wartime Weddings | Other Clues to Dating Photographs | Where Did Local Marriages Take Place? | At What Age Could a Couple Marry? | Where Can I find a Record for a Wychwood Marriage? | Share Your Wedding Photos

Some of the photographs in the exhibition are accompanied by names and dates, allowing us to trace the lives of the people who appear in them. Others have lost their identities over time , but can still offer valuable clues to changing traditions.

The article looks at changing marriage customs and fashions, gives some guidance on dating photographs and explains where to find records of past Wychwood weddings.

The article can be seen online here, and can also be downloaded as a PDF.

Read on, or go to topics:

Wychwood Weddings Photographs

Marriages are the most celebrated of all family occasions and many families have photographs in their albums recording such events. A number of photographs of Wychwood weddings dating from the late 19th century to 1960, have found their way into the collections of the Wychwoods Local History Society. Sadly, some of these remain anonymous, a salutary reminder to us all to add names and other information to our photographs for the benefit of future family and historians! Others have been identified with the help of clues within the images themselves and the odd name or date.

Frozen in a single frame, a wedding photograph may reveal far more than the identities of the bride and groom; it can offer a glimpse into the social history of an entire community.

But until well into the 20th century, only better-off families could afford to employ a photographer to attend the wedding itself. Couples who wanted a record of their marriage often visited a local studio after the event, which makes the resulting images harder to distinguish from standard portraits. In some cases, wedding photographs took the form of individual studio portraits which would be displayed side by side in the family home, but on their own they can look much like any other portrait. One clue that these are wedding portraits is that the bride’s ring is often prominently displayed.

Studio Portrait of Sergeant James Beaney and his wife Margaret Hopkins. May 1916

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Wedding Fashions Early 1900s

The style of the bride’s dress, the hats and outfits worn by guests, and the bouquets carried, all follow an identifiable chronology informed by the fashions of the day, which often helps to date anonymous wedding photographs. The 1890s saw the development of large group wedding photographs, often taken outdoors in the churchyard after the ceremony or in the garden of the venue for the reception, and featuring the growing middle class. The custom for brides and bridesmaids to wear floral corsages and sometimes to carry a bouquet was also growing at this time. Edwardian (1901-14) wedding photographs often look very grand owing to the extravagance of the accessories worn by the women, especially the enormous hats and the growing trend for extravagant bouquets with trailing greenery.

The Edwardian wedding of Sarah Belcher and Robert Cummins which may have taken place in Fifield

Queen Victoria had introduced the fashion for white wedding dresses but, as ordinary girls could not afford the luxury of a dress that could be worn only once, the fashion was slow to become established throughout society. By the early 20th century, although more brides were adopting white wedding attire, many women such as Margaret Hopkins, might simply choose a white blouse with a coloured skirt worn with a white hat.

Following fashion trends wedding dresses and skirts were worn shorter from around 1915 onwards, displaying the lower leg and inspiring a fashion for white stockings and dainty shoes. Other clues as to date are also provided by trends such as the wearing of military uniform in time of war.

Ernest Dee and his wife Rebecca Coombes who married in Shipton in 1920

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Wedding Fashions 1920s and 1930s

The early 1920s saw several important royal weddings at which the brides wore lavish gowns that inspired a new generation of brides, and revived the desire for a more romantic look which had been largely absent from wartime weddings. Most 1920s bridal and bridesmaid dresses were worn in a fashionable ‘afternoon’ length, but hemlines did move around between mid and lower calf, although in 1926 they rose dramatically to just below the knee. Head dresses (often low on the forehead), net veils and hats continued to be worn.

A bride thought to be from Milton in a very fashionable late 1920s dress

There was also a fashion in the later 1920s for young flower girls to wear distinctive wired headdresses like Dutch caps. Upper and middle-class bridegrooms continued to wear a dark morning coat and grey trousers, whilst other classes favoured a lounge suit with short, narrow legs and turn-ups. A knotted tie or bow tie was worn and stylish felt homburg and trilby hats replaced the traditional bowler.

By the 1930s bridal styles had become very diverse. Influenced by Hollywood, soft, clinging, elaborate wedding gowns of varying lengths, including an evening length that swept the floor with a long train, became popular. Carnations and roses continued to be favoured for wedding bouquets, a trend that continued into the 1940s, but white lilies also came into fashion. By the late 1930s long, trained gowns in pure white satin held sway. Male attire followed the already established pattern but adopted 1930s fashion for double-breasted lounge suits.

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Wartime Weddings and Later

Church weddings continued to take place throughout the Second World War. In response to circumstances many brides chose to wear smart knee-length dresses or suits with a floral spray or neat posy and a stylish hat. Cloth shortages dictated that the wedding gowns (although some brides adapted dresses from the 1930s) of wartime and post-war brides were generally made with narrow or only slightly flared skirts without trains, but veils were often long and worn well back on the head with a tiara. Bridesmaids often wore short veils, a useful clue to dating. As so many men were in the services it became common for men of all classes to wear their uniform. For those not in uniform a three-piece, double-breasted lounge suit was the norm.

Henry Bryan Edginton and his wife Daphne Rose 1940

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Other Clues to Dating Photographs

Photography itself can also provide clues to the date of a wedding. As cameras gradually became more widely available, and more people could afford to employ a photographer to attend the event and even take photographs themselves, so often more photographs of the wedding and its participants have survived. The outdoor group photographs which began to appear in the late 19th century gradually became more common in the early 20th century and increasingly several different photographs were taken of the event. During and immediately after the First World War studio portraits became common again.

Fashions also developed within wedding photography alongside the technology, as the photographer looked to capture the informal as well as the formal aspects of the wedding. A greater range of standard images began to appear including the bride getting out of her car or standing at the church gate with her father, or the happy couple leaving church between the ranks of their guard of honour.

Mr & Mrs Puddle ‘guarded’ by the St. John Ambulance Brigade
Mr & Mrs Brown ‘guarded’ by the Home Guard

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Where Did Local Marriages Take Place?

Until the mid-18th century marriages could take place anywhere, provided they were conducted before an ordained clergyman of the Church of England. This encouraged secret and bigamous marriages which did not have parental consent. The Marriage Act of 1753 declared that all marriage ceremonies must be conducted by a minister in a parish church or chapel of the Church of England to be legally binding. No marriage of a person under 21 was valid without the consent of parents or guardians. Clergymen who disobeyed the law were liable to 14 years transportation. Jews and Quakers were exempt from this law, but religious non-conformists and Catholics had to be married in Anglican churches.

Marriages usually took place in the parish where the bride was living, but if she were not living at home or her parents were dead, the marriage could take place where she or the groom were living.

Early Wychwoods marriages took place in parish churches in Ascott, Fifield and Shipton, although it was not until 1538 that all parish priests were required to keep registers of baptisms, marriages and burials. Some Catholic parishes kept spasmodic records as early as the 13th century. The earliest surviving recorded marriage in Shipton took place in 1528 and in Ascott in 1570. Milton did not have a parish church until 1855, before that time anyone living in Milton would have married in Shipton. Likewise, as it did not have its own church until 1853, Leafield marriages often took place in Shipton or Ascott.

In 1836 new legislation enabled Non-Conformists and Catholics to be married in their own places of worship. The Milton Baptist Church features as the background to Groves family wedding photographs in the later 19th century, but the Baptist chapel in Ascott did not hold its first wedding until 1957.

From 7th July 1837, alongside religious ceremonies, all marriages had to be documented centrally via District Registration Offices. It also became possible to be married in a Registry Office without the need for a religious service.

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At What Age Could a Couple Marry?

The age at which couples could marry also changed over time. In 1929 the legal age for marriage with parental consent was set at 16 (it had previously been 12 for girls and 14 for boys). In 2022 this was increased to 18.

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Where Can I Find the Record for a Wychwood Marriage?

The digitised records for church marriages up to 1930 are available online from the genealogical subscription site Ancestry. These can be consulted free of charge in the Wychwood Library, as can marriage records, including Roman Catholic Parish Records, held by Findmypast.

Using the search facility of the FreeBMD online site [ here – opens in new tab ]  you can find references to marriages recorded in the Chipping Norton district (which covers the Wychwood villages) from 1837 to 2000 (the records aren’t yet complete from about 1994 onwards). From these records, with a little detective work, it’s possible to establish the names of those marrying and the quarter (of the year) in which the marriage took place. To obtain more details you need to order a copy of the certificate from the General Register Office [ here – opens in new tab ] which maintains the national archive of births, marriages and deaths dating back to 1837.

Hard copy transcripts of parish registers, including both marriages and banns (for those from the parish who were being married elsewhere), from Ascott, Fifield, Leafield, Milton and Shipton with surname indexes, are held by the Wychwoods Local History Society. Please contact us to discover more.

Although the most recent Wychwood wedding photograph in the Society’s Archive dates from 1960, articles written by Wendy Pearse in the Ascott Grapevine: these bring us almost up to date with a selection of images of weddings that have taken place at Holy Trinity Church in Ascott up to 2021.

Wendy’s articles can be found here:

Grapevine Issue 123 pp 33-40 PDF here: opens in new tab

Grapevine Issue 124 pp 18-21 PDF here: opens in new tab

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Do You Have Wedding Photos to Share?

If you have a Wychwood wedding photograph with a story that you would like us to copy and add to our collections, please contact us.

Wychwood Weddings Photographs | Wedding Fashions Early 1900s | Wedding Fashions 1920s and 1930s | Wartime Weddings | Other Clues to Dating Photographs | Where Did Local Marriages Take Place? | At What Age Could a Couple Marry? | Where Can I find a Record for a Wychwood Marriage? | Share Your Wedding Photos

From Australia to Ascott: A Photographic Homecoming

These days the Society is receiving an increasing number of overseas visitors to our website. Among these we recently heard from an Australian artist, who described herself as ‘a painter who uses old photographs’.  

She had seen an article on our website which referenced Cecil White, an ancestor of hers. In 1916 Cecil came to England for military training, as part of the Australian Expeditionary Force. He took the opportunity to visit the village where his father had been born and meet his White cousins still living in Ascott.

During his visit, Cecil had taken several photos of the village. Could we help her to source some of these photos?

We were delighted to help. And meantime it took us on our own journey of discovery, with Carol Anderson following the story.

Cecil White’s Photograph Album

Cecil White’s Photograph Album. With thanks to Harvey Warner

On his return home from his 1916 visit, Cecil compiled an album of 14 of the photographs he took on his visit.  He also included 4 images of other places in England – Tilbury Docks, Greenhill House/ Sutton Veny House and parish church, Wiltshire.

Two further photographs feature a group of Australian NCOs on board ship and a portrait of Cecil in uniform.

As a result of this enquiry Carol has been able to organise a full record of the album and its contents, the scans of which are now safely archived.

Here are some examples from our online photo archive.

Unusual view of North side of the parish church photographed from across the churchyard from northwest
View north from the Green along London Lane towards the railway station. Churchill Arms, later Sunset House, on the right
Railway platform and wooden station building on south side of railway line view looking east

Cecil White – A Family History

Cecil White sitting between his brothers George (left) and Baden (right) .
Photograph was taken in the Bardwell Clarke studio in Perth Western Australia.

Cecil White – A Family History in Detail

During the 1850s a William James White came to Ascott-under-Wychwood to take over the forge overlooking the village green. William was one of twelve children, six of whom died in childhood, born to blacksmith William White and his wife Elizabeth, who lived in Christmas Common near Watlington.  

When William James came to Ascott he was married to a Mary Ann Eustace. In the 1861 census William James was 31, and Mary Ann was 27 and they are recorded as having four children, William James Jnr., Harriet, George, and Susan.

Blacksmith William’s brother, Alfred, joined the Metropolitan Police and rose to the rank of Sergeant. He married Mary Elizabeth Harvey, who came from St. Pancras, and they had a daughter, Hannah. Alfred resigned from the Police and died soon after in May 1865. 

William White’s wife Mary died in 1865 aged 33, having given birth to another son Frederick. Some time afterwards his brother Alfred’s widow, Mary Elizabeth, and her daughter Hannah came to live in Ascott, perhaps to look after William and his children. 

On 10 August 1867 William James and Mary Elizabeth were married in the Wesleyan Methodist Chapel, Chipping Norton. At this time, it was illegal for a man to marry his brother’s widow, and this may explain why they were married away from Ascott, in a non-conformist ceremony in Chipping Norton. 

After they were married, and before he died in Ascott in April 1874, William James and Mary Elizabeth White had three children, Francis William, Mary Agnes, and Charles Harvey, who were therefore half-siblings to the three boys from William’s first marriage who were later to emigrate to Australia.

When his father died William James jnr., the eldest son of blacksmith William by his second marriage, was about 18 and became the first of his family to emigrate to Perth, Western Australia. In the 1871 Census he is recorded as aged 15 living with the rest of the family in Ascott and his occupation is that of a shepherd (he had not followed his father and grandfather into blacksmithing), a role that may have fitted him for work in Australia.

Subsequently, and separately with other young men from the village, two more of the White family also emigrated to Western Australia where a group of Ascott ex-pats seem to have gathered around Perth. Frederick White (aged 16/17) had emigrated by 1880. Currently, nothing further is known about Frederick. George White, the third of William and Mary’s sons to emigrate, arrived in Perth on the Charlotte Padbury in September 1881 and married Jane McGowan in 1884 but died the following year aged 26.

William James Jnr., the first of the family to emigrate, married Annie Coffin at Yatheroo in 1879. They had four sons and two daughters. Three of their sons joined the Australian Expeditionary Force (AEF) in World War I. The eldest, George, joined the Australian Army Medical Corps and served in Egypt. Bason, the youngest, was still too young to serve abroad when the War ended. 

William and Annie’s second son, Cecil, married Ivy Derepas in Perth in 1915 and later, as a Sergeant in the AEF, was sent to England. On leave there, whilst completing his training, he travelled to Ascott to see his father’s birthplace. Here he met the family of his father’s half-brother, Charles Harvey White who had married Kate Honeybone and had three surviving children, Charles, Florence and Doris.

In January 1919 he sent his cousins, the White family of The Old Post Office (aka Centuries House), London Lane, an album containing copies of the photographs he had taken on his visit.

The album is now in the possession of Harvey Warner (Charlbury) son of Doris Warner (nee White, daughter of Charles White).

Research by Carol Anderson

Sources:

1861 & 1871 Census: Ascott-under-Wychwood

Information provided by Harvey Warner

See Wendy Pearse’s article which initiated this story

Visit to North Leigh Roman Villa

Members of the Society recently enjoyed a visit to the remains of North Leigh villa which sits in a sunny, sheltered spot on the banks of the river Evenlode.

Members at the Mosaic: June 28th 2024

The Villa Layout

At its maximum extent in the early 4th century, a great ‘courtyard villa’ stood on the site with a range of buildings on each of three sides of a rectangle, with a corridor and a gatehouse closing the courtyard on the fourth side. This created a large, enclosed open space which may have been laid out as a garden. This villa was provided with three bath suites, 16 of its rooms had mosaic floors and 11 were provided with under-floor heating.

Underfloor Heating, North Leigh Villa: May 2023

Today little remains of this once vast residence with only the foundations of the north and west ranges, including the bath complex, being exposed. The remains of the rest of the villa are buried to protect it from destruction by the elements. 

The Mosaics

Local volunteers (the site is in the care of English Heritage but has not had a custodian present for many years), met us on site and opened the ‘mosaic shed’ so we could see the one remaining early 4th century mosaic.

North Leigh Villa: Mosaic June 28th 2024

Although damaged over time the mosaic, made by mosaicists from a workshop in Cirencester, still looks impressive. We were also shown copies of detailed drawings of other elaborate mosaics made when the site was excavated in the early 19th century, which were subsequently removed by souvenir hunters.

The volunteers explained that the villa had its origins in the pre-Roman Iron Age with the first stone structures replacing earlier earth and timber buildings in the 1st or early 2nd century AD.

Cleaning the Mosaic: September 2021

North Leigh Villa Developments over Time

 It is assumed that the same, probably extended, family continued to live here after the arrival of the Romans. Its likely they benefitted from increased trade and improvements in transport, trade and farming methods that came with Roman rule. As their fortunes improved so did their accommodation, with the addition of ‘home improvements’ including a bath house and the gradual expansion of accommodation for themselves, their guests and servants.

Viewing the Layout Plans: June 28th 2024

Aerial photographs and geophysical survey have revealed that there were further, extensive buildings beyond the south-west range which may have formed a home farm for the villa. A system of ditched fields surrounded the villa. The villa probably declined and was abandoned in the 5th century AD, following the withdrawal of Roman troops from Britain and the consequential breakdown of central administration in the province.

Ongoing Care of the Villa

It was good to hear that after many years of neglect English Heritage are now working with local volunteers to make the site more accessible and are implementing a conservation plan that includes the installation of a new roof on the old mosaic ‘shed’, repairs to the old custodian’s cottage, and the conservation of the ruins themselves.

North Leigh Villa: Snails, September 2021

Before leaving we were introduced, via their empty shells, to some of the edible (at least in the Roman period) snails first introduced by the Romans.  These snails have never felt the need to stray far from this perfect spot where they were originally bred, and can still be seen around the villa today.

North Leigh Villa Audio Tour

Sadly, unlike the snails, the volunteers aren’t always there, but they have created an audio tour which you can use to guide yourself around the site. It can be found here and downloaded free to your phone.