Articles and Updates

Australia Bound: From Ascott to the “Promised Land”

The following article by Wendy Pearse appeared in Vol 31 [ PDF here ] of the Wychwoods Local History Society Journal. It was published in 2016. It focusses in detail on the fortunes of Ascott families and develops the tale around 19th century Wychwoods emigrations, discussed in Martin Greenwood’s book “The Promised Land” which we reviewed recently.

In our affluent world of today, it is very difficult to visualise what life must have been like for the villagers of Ascott in the last quarter of the nineteenth century. The Rev. Samuel Yorke, through the pages of the Leafield and Ascott Parish Magazine, and later the Chipping Norton Deanery Magazine, 1880-83, recounts various happenings and events but it is almost impossible to glean  the reality of everyday life for the craftsmen and labourers of the village. What were the conditions like within the houses? How did they obtain their food and water? How about sourcing clothing and footwear? Where did they obtain fuel to heat their houses and cook their food? That particular period of the century hit the British countryside hard. Farmers were finding it difficult to compete with increasing imports from abroad. Wheat and refrigerated meat from other parts of the world were increasingly unloaded on British shores, thus lowering the price of the home market. Imported cattle were bringing in diseases to which indigenous breeds had little resistance. And the weather was atrocious, providing climatic conditions totally opposite to those necessary to aid the production of food. Farms were difficult to rent out, resulting in less available work for farm workers. Wages were poor, and the lower down the class system, the greater the problem of providing for a family. For many living in Ascott, daily life may have been dire indeed.    

 However, primarily for the young, there was a source of hope: the promised lands on the far side of the world beckoned. Apparently, a fair number of Ascott’s born and bred were prepared to seize this opportunity. The possibility of acquiring land of their own, and the chance of setting their foot  on an upwardly spiralling ladder, proved difficult to resist. In the early 1870s many people left the Wychwoods to seek a new life in New Zealand, partly with the assistance of the emerging Farm Workers’ Trade Unions. But a decade later Perth and Western Australia appear to have had the most to offer to the youth of Ascott, and through the Deanery, we can follow a number of these  youths as they set out on their greatest adventure.     

In 1875 when Rev. Yorke and his wife Frances arrived in Ascott, it seems that Mrs Yorke proposed the establishment of a Night School for the village youths. This she pursued, with about 30 students ranging in age from twelve to the middle twenties. Apparently these young villagers were already  giving thought to improving their lot in life. Five years later, Rev. Yorke reported that some of the earlier students had already taken advantage of their additional qualifications by joining the Railway Company, the Post Office, the  Army or, indeed, by emigrating abroad. Three past students, Frederick White, Raymond Pratley and Jacob Moss had emigrated to Western Australia, where  to all intents and purposes they were doing well. Raymond Pratley was the  son of a farm labourer and Jacob Moss the youngest son of a shoemaker. They were approximately the same age, born in Ascott, and had probably known  each other all their lives. Frederick White, however, was a few years younger  than the other two and must have been only about 16 or 17 when he left  England. This may have been due to family matters since his father, the village  blacksmith, had died in the late 1870s, and his mother was left with other  young children and an older stepson, so maybe he decided the time was right  to make his own way into the world.    

 In 1880 in the last issue of the Leafield and Ascott Parish Magazine,  Rev. Yorke reported that Mr Hyatt, whose family had farmed at Stone End  Farm (now Ascott Earl House) for generations, had recently seen three of  his grandsons depart for Australia: Frank Gomm, the son of his daughter  living in Tackley, and Alfred and Edwin Townsend, sons of his other daughter  Sophia, the widow of Edwin Townsend of Long House Farm in High Street. The  Townsends, like the Hyatts, were a family of long-established Ascott farmers.  James, an elder brother of Alfred and Edwin, had sailed for Australia in 1876,  which was probably an added incentive to his younger brothers’ desire to  emigrate. Alfred was 20 and Edwin, like Frederick White, only 16 or 17. The  three young men sailed from London on the steamship Potosi on the 29th  October 1880.     

The S.S. Potosi, built in 1873, had been purchased by the Orient Line  from the Pacific Company’s fleet only in the past year. She was considered  a good, seaworthy vessel and was known for fast steaming. She had a gross  measurement of 4219 tons, length 421 feet, beam 43 feet and the depth of the  hold was 33 feet 5 inches. Following her initial arrival in Australia in July 1880,  The Maitland Mercury and Hunter River General Advertiser reported, ‘ . .it is lit up  at night with the new electric process (Siemens), and this is the first vessel  that has been in this harbour lit up in such a manner; and the satisfaction the  light has given is likely to lead to all the Orient boats being fitted up in a like  manner. The second saloon is lighted in the same method, but in a lesser degree  of brilliancy. The light in the saloon having been found to be too dazzling,  gauze coverings had to be put round the globes to temper it. There are four of  these globes, one under each corner of the large skylight in the main saloon.  The Potosi is propelled by engines of 600 horse-power nominal, with inverted  cylinders; these are two in number.’    

In the Deanery of January 1881, Rev. Yorke reported, ‘The ship ‘Potosi’  of the Orient line [with the three Ascott youths bound for Perth, Western  Australia] reached Adelaide after a voyage over the 12,000 miles of 43 days  from London, including stoppages at Plymouth, St. Vincent and the Cape. In  their letters received from the Cape, they say that the voyage thus far had been  a most pleasant one, after passing Madeira and the Canary Islands, or about  1,500 miles from home, the weather became so hot that they could not sleep  comfortably in their cabins below, and passed the nights on deck; the sight of  the flying fish seemed specially to strike them, flying sometimes in the air for  a distance of about a chain and a half and then diving again into the sea …. the  passengers on board the ship numbered nearly 700, chiefly English, but some  from Germany and others from Russia.’    

 By the time the Potosi reached Adelaide half the passengers had already  disembarked, including the Ascott lads, who had reached their destination at  Perth. The following June, Rev. Yorke reported, ‘Four other Ascott youths,  James and Albert Weaver, George White and Henry Pratley, have sailed in  the ship ‘Charlotte Padbury’, for Perth, Western Australia; also Thomas Ward  and his newly wedded wife. Let us wish them all a prosperous voyage. With  the others who have previously gone out from our Parish there will be quite a  little Ascott colony settled in those remote parts. But there is an abundance of  room for a very large population; the inhabited portions extend for about 350  miles in length and 200 miles in breadth (or nearly the entire size of England),  but the whole population does not at present exceed 10,000 persons and thus  many districts are very thinly peopled.’     

Brothers James and Albert Weaver had been born in Ascott and were  the sons of a shoemaker, Charles. James was 20 and Albert 18 when they left  to seek their fortunes abroad. George White, aged 22, was the stepbrother  of Frederick White, who had already sailed for Perth, and eighteen-year-old  Henry Pratley was the younger brother of Raymond Pratley, who had left at  the same time as Frederick White. So it would appear that favourable reports  had been winging their way across the world to family members in England.  The Charlotte Padbury, which left London on 26th June 1881, was a  clipper barque of 636 tons, significantly small in comparison to the Potosi.  She was owned by Walter Padbury of Perth, Western Australia (see below),  but had been built in Falmouth. Her Commander was Thomas Barber and on  this particular voyage he had taken his wife with him. She had been a cabin  passenger, together with one other, in what were reputed to be well-ventilated  cabins. The saloon was said to be spacious, a bathroom was included and the  accommodation was declared superior. The number of steerage passengers,  including the six from Ascott, was 24.    

 In the August issue of the Deanery, Rev. Yorke had reassuring news  to impart: ‘The painful rumour that was spread abroad in the Parish, early in  last month, of the total loss of the ship containing those who have lately left  us for Australia, has happily proved to be unfounded: the owners, Messrs.  MacDonald, have written to say that they have every reason to believe that the  vessel is quite safe and pursuing her voyage.’    

 The December issue of the Deanery reported that, ‘Tidings have come  of the safe arrival of the ship ‘Charlotte Padbury’ at Perth, Western Australia,  on September 18th, conveying, amongst other passengers, James and Albert  Weaver, George White, Henry Pratley, Thomas Ward and his bride (formerly  Sarah Ann Hone), all from Ascott. The voyage occupied about 12 weeks.’ A  newspaper sent to the Vicar from Perth, announcing their arrival, states  that it was ‘a pleasant and welcome sight to see the fresh English faces of the  emigrants, healthy looking and cleanly dressed.’    

 The March 1882 Deanery reported: ‘The following is an extract from a  letter, lately received from one of the Ascott youths [probably Albert Weaver]  who emigrated to Western Australia in the summer of last year: he was a  Church bell-ringer and also one of our best cricketers:-    

 Swan Bridge, December 26th, 1881.   

Christmas has come again and found me a long way from the post I occupied, last year, that of ringing the old Church Bell. I am now in the burning sun of our midsummer, while you, probably, are in a land of snow and ice. We travelled up into the bush from Perth with a team, and we felt it rather strange having to roll ourselves up in our blankets and sleep under the wagon; after 5  days we reached our destination but we found ourselves in a very rough place  and resolved to leave it as soon as possible. I left the work and took to my trade  again (shoemaking) and am doing capital well, but I must tell you that if one  comes out here they must not care how they live, or they had better stay at  home, though a man can earn more money here, but I would not advise anyone  to come out here for I shall not stay for long.”   

Four months later there was news of the Townsend family. ‘Tidings  have lately come from Mrs Townsend’s three sons, in Western Australia:  they seem to be doing well, but the Colony has suffered, in the past summer,  from a terrible drought such as has not been known there for 10 years: the  pastures have been dried up, and the sheep, cattle and horses have been dying  by the hundreds. Mr James Townsend, who left England shortly before his  lamented father’s death, in 1876, has married and settled down in Geraldton,  in Champion Bay, almost 300 miles north of Perth; he kindly signifies that he  will shortly send a few notes giving some account of the country, which may  appear in our Magazine. Alfred has gone several hundred miles higher up into  the bush, where a white man is rarely seen, near to the pearl fisheries: a Church  is not to be found in his district, he seems to feel the want very much, Edwin is  with Mr Padbury, in the neighbourhood of Perth.’     

WaIter Padbury was a significant figure in Western Australia history.  He was born in 1820 at Stonesfield, Oxfordshire, the second son of a small  farmer. He emigrated with his father to Western Australia in 1830, intending  to send for the rest of the family once they were established. Unfortunately  within five months Walter’s father died, and a couple whom his father hoped  would look after Walter took his money and disappeared. Walter found work  around Perth, eventually becoming a shepherd, until, aged 22, he took to  fencing, shearing and droving. He acquired his own stock, which he sold at  profit, and eventually secured enough money to bring the rest of his family  to join him. In 1845 he married 18-year-old Charlotte Nairn and established  a butchery in Perth. He became a property owner, built a flour mill and was  very good to his employees. Eventually he went into shipping (his ship, the  Charlotte Padbury, was evidently named for his wife) and set up with William  Thorley Loton as general store keepers in Perth and Guildford. He was very  active in public affairs, long associated with the Agricultural Society; he  became a justice of the peace and mayor. He contributed generously to the  church, to the establishment of children’s homes, hospitals, to the poor and  other charities. He died in 1907, and after legacies to relations and friends, left  about £90,000 to be divided amongst named charities.    

 Padbury had also been a great letter writer and at the end of 1882  appears to have written to Rev. Yorke. ‘Our Magazine obtains a wide circulation:  it has readers in America, South Africa and Western Australia. Mr W. Padbury  has written from Perth, in the last named Colony, drawing attention to the  letter of an emigrant from Ascott published in our parish notes of March last.  He does not dispute the facts stated therein, but writes:- “There is ample room  in any of these Australian Colonies and New Zealand for half the population of  England: but they must not come here with the notion that they can at once  make a fortune, or jump into the shoes of those who have been here all their  lives; if they are industrious and economical as a rule they will certainly do  better than they can in England.” Mr Padbury adds statements of wages given,  corresponding with those set forth on the first page of last month’s Magazine  in Sydney, New South Wales. On the other side of the question it is only fair  to consider the length of the voyage, extending at times, to over 100 days in  reaching Perth; the extreme heat of the climate in Summer, and its liability to  not infrequent droughts; also the separation from friends and acquaintance,  the many hardships to be encountered and the like.’     

There is some more evidence about the emigrants, which seems to  suggest that mixed fortunes attended the Ascott lads. Of the Townsend  family, the only additional information is about Edwin. He married Lucy Ann  Drummond in 1887 but unfortunately died in 1900, only thirteen years later,  aged 36. Both Raymond and Henry Pratley married in 1884, but nothing  further is known. Albert and James Weaver also married in 1884. Albert  married Charlotte Staples in Fremantle. They had at least one son, Charles  George, born in 1889. Charlotte died in 1914 and Albert in 1938. James  Weaver’s marriage to Sarah Hyde was very shortlived. She died the same year,  aged only 18, and their son of three months, James Albert, died the following  year. It would appear that James married again in 1888 and hopefully fortune  then treated him more kindly.    

 Nothing further is known about Frederick White, but George White  married Jane McGowan in 1884. Sadly fate was not kind to them either,  since George died the following year aged only 26. However, it would appear  that the oldest son of William James White, the Ascott blacksmith, and the  brother of Frederick and George, had, like the eldest Townsend son, preceded  his brothers to Perth. In 1879 he married Annie Coffin at Yatheroo and in the  following years, they produced a family of four sons and three daughters. Three of their sons joined the Australian Expeditionary Force in the First World  War. The eldest, George Eustace, named for his uncle who died the year that  he was born, joined the Australian Army Medical Corps and served in Egypt.  Bason, the youngest, perhaps fortunately for his mother’s peace of mind, was  too young to leave Australia before the War ended. The second son, Cecil, married Ivy Derepas in Perth in 1915 and later, as a sergeant in the Australian  Expeditionary Force, was shipped to England. On leave, whilst completing his training, he travelled to Ascott to see his father’s birthplace. Then in January 1919 he sent to his cousins, the White family living in Centuries House, copies of the photographs of Ascott which he had taken during his visit. His photographs will be reproduced in a future volume of Wychwoods History.  

Wendy Pearse 2016

Jessie Jones (1885-1945): Teacher with a Legacy

An article appears on the Oxfordshire History Centre blog, which will be of particular interest to those drawn to the history of Wychwood villages Idbury and Fifield.

The article highlights the work and times of village teacher Jessie Jones. She was Head Teacher at Idbury and Fifield village school in the 1920s and 1930s. A remarkable collection her papers, and schoolwork of the children, is held at Oxfordshire History Centre. These provide a vivid insight into her work.

“Miss Jones” as she (of course!) was known, encouraged her pupils to discover and record the history and traditions of their locality, and to study the countryside around it.

It was the inspiration of her grandfather’s country records and teaching devices which gave Jessie Jones the idea and motivation to make these historical surveys. This work began with the creation of a local field map and a nature study. It was extended over several years to include the mapping and the collection of artefacts and data relating to all aspects of the geography and history of the locality, together with details of village life.

The article describes this work in some depth, with illustrations, and is well worth a look. The article is here

19th Century Emigration from Oxfordshire: A Book Review

A fascinating new book has just been published which will be of interest to us in the Wychwoods, especially those who have ancestors who made the often-perilous journey to a new life in the colonies. The book is called ‘The Promised Land” and subtitled “The Story of Emigration from Oxfordshire and Neighbouring Buckinghamshire, Northamptonshire and … Continue reading “19th Century Emigration from Oxfordshire: A Book Review”

The Last of England by Ford Madox Brown (1855)

A fascinating new book has just been published which will be of interest to us in the Wychwoods, especially those who have ancestors who made the often-perilous journey to a new life in the colonies. The book is called ‘The Promised Land” and subtitled “The Story of Emigration from Oxfordshire and Neighbouring Buckinghamshire, Northamptonshire and Warwickshire 1815-1914”.

Despite the difficulties we are enduring in the current health emergency, it is perhaps sobering to be reminded of the problems and uncertainties afflicting the rural poor in the UK during the upheavals of the 19th Century.
This is a lively and well-researched survey, written by Oxfordshire-based local historian Martin Greenwood. It focuses on the drivers which caused individuals and families to embark on the often-hazardous pathways to a new life. These were times of great upheaval for village communities affected by several seismic developments in both international and domestic politics of the nation.

The Roots of Emigration

The book opens with an outline of the establishment of penal colonies in Australia following the voyages of Captain Cook. We are reminded of the draconian penal system of the time which fuelled the initial population of these places. A survey then develops to highlight the mass migration initially to the USA and then in large numbers to Canada in the years 1815-1850. The early chapters outline the opening-up of land and opportunities in Australia, New Zealand and South Africa. Some emphasis is placed on the development of faster, iron-hulled shipping more suited to the long and often hazardous journeys involved, and there are many illustrations of the ships of the time.

Political changes around the Poor Laws and then the Corn Laws are highlighted, and the effects of both developments in terms of population change is fully demonstrated in charts which show these numbers village-by-village over the course of the century.

The Great Exodus

The even more dramatic developments from 1850 are also covered, highlighted by changes in agricultural policies and the lack of work and opportunities. This “Great Exodus” as it is called, is finely documented with examples of personal stories from many towns and villages. These chapters are a fascinating read for all who understand how the stories of individuals are the bedrock on which history can be understood. These stories also evoke the bustle and confusion of migrants at Liverpool, and the emotions of departure. It looks at their shipping, health problems, costs, and shipwrecks, and at their experiences on arrival.

Emigration and the Wychwoods

Among the stories pertaining to the Wychwoods, we find the Ascott Martyrs as part of the discussions around the establishment of the National Agricultural Labourers Union in the early 1870s. Also highlighted is the disafforestation of the Wychwoods which contributed in part to the recruitment of 10 families in an organised meeting in Shipton, to travel for work on a railway project in New Zealand. Also covered is the sad loss of life – not an isolated incident – of Wychwoods emigrants in the fire and shipwreck of the Cospatrick. [ See our Cospatrick Tragedy Article here ]

About the Author

Martin Greenwood’s book is a mine of information but is also an easy read, brought to life also by the author’s own personal experiences during the research, and his family connections with ancestors who had made their own journeys to “The Promised Land”.

Other Books by Martin Greenwood

Martin Greenwood has written previously about village life in Flora Thompson’s Lark Rise Country and more widely in Banburyshire. Here is the list:

How to Purchase “The Promised Land”

The book costs £9.95 plus £3 p&p = £12.95, if ordered from the author at: Sarnen, Main Street, Fringford, Bicester OX27 8DP.

The book is also be available from Coles, Banbury bookshops (Waterstones and the Tourist Office), the Old Hall Bookshop in Brackley and Blackwells in Oxford. ISBN: 978 1 908738 40 0

The publisher is Robert Boyd Publications, 260 Colwell Drive Witney, Oxon OX 28 5LW

Our Second Online Meeting

The society is pleased to report on the success of its second online presentation and talk for its 2020/21 series. The session took place on November 19th. In a new initiative for us, we were joined by members of the Charlbury group as part of a reciprocal exchange. This swelled our numbers to make a pleasant and and enjoyable gathering.

The talk this time was on the battle of Edgehill, given by the battlefield expert David Beaumont, who has been part of the Kineton local history group for 30 years. He was involved in the comprehensive survey of the Edgehill battlefield for over 2 years and has surveyed other battle sites. His in-depth knowledge was illustrated by maps of the surveyed area, showing the meticulous detail of the research carried out.

Meantime, David has spent 18 months with a group translating the Parliamentary Loss Accounts for Warwickshire. This work has given him a great insight into how the battle and the movement of troops through the countryside had a deep and often traumatic effect on village life. The focus on the effects of the battle was sobering, with stories of wholesale plunder of village livelihoods.

A free and interactive visitor exhibition adjacent to the Battle of Edgehill battlefield is permanently installed within the beautiful surroundings of St Peter’s Church in the village of Radway. Details here.

Ivan Wright & Family – Shipton Under Wychwood

by Lee Richardson

A photograph on the Wychwood’s Local History website prompted Lee Richardson to write this short biography of his relative, Ivan Wright. The photo shows the Wright family at harvest with John Francis Wright in the centre of the scene. John’s father was Ivan Wright, and a cousin of Lee’s grandfather.

Wright family haymaking 1938 George Bradley in white hat, John Francis Wright in shorts subsequently a victim of the second world war. Photo by Megan Bradley. The Wright family lived in the cottages just over Littlestock Brook

Ivan Wright

Ivan Wright was born in 1887 in Kirkbean, Kirkcudbrightshire. His father, Jack, was a native of Cheshire and in addition to being a farmer was also a greyhound trainer. It is through the greyhound connection that the family moved to Scotland. Jack Wright trained coursing greyhounds for Mr Leonard Pilkington of Cavens, Kirkbean and was appointed as farm manager to him.

Ivan Wright moved to London in the early part of the 20th century and joined the Metropolitan police force, in 1923 he married Edith Harris whilst serving as a constable in the city. They had one son, John Francis Wright born in 1925 in Romford, Essex.

The family association with coursing greyhounds goes back to Ivan’s grandfather who bred and trained dogs from the late 1870s onwards. Several of Ivan’s uncles and cousins successfully trained winners of the Waterloo Cup. Greyhound racing came to Britain from America in the late 1920s and according to the Greyhound Stud Book Ivan was listed as a public trainer of greyhounds whilst living at Ilford, Essex in 1935.

Ivan Wright as a young man

He appears to have retired from the force at some point and is listed in the 1939 register as living at the Kings Head, Chinnor, Oxfordshire with his family. Although they are the only people present at the address, his occupation is listed as Police Pensioner and not as Landlord. Three years earlier they had resided at The Royal Oak public house in the same area.

It is around this time that the family moved to Shipton Under Wychwood and the 1941 stud book lists Ivan Wright as living at Little Stock, Meadow Lane in the village. In addition to training greyhounds he is shown as owning several greyhounds.

Greyhound Stud Book samples, with Ivan’s listing

Disaster befell the family with the loss of John Francis Wright in 1944 whilst in Maidstone, Kent training as an officer cadet with the Royal Corps of Signals. He had attended Burford Grammar School and is mentioned as one of the fallen alumni at Christchurch College, Oxford. He is buried at St Mary’s churchyard.

As was common with the ownership of greyhounds Ivan gave his dogs registered names that started with his own initials: Indian Wave, Imperial Wave, Inky Wave, etc. I can perhaps only speculate but I suspect that Ivan Wright trained greyhounds for the sport of racing and possibly took them to the Oxford greyhound track which opened in 1939.

Stud Book entries, including names of greyhounds. Ivan’s wife’s middle name was Mary, and it seems she may have owned these dogs?

Ivan continued to train greyhounds at Shipton Under Wychwood until around 1950, his younger brother, Hardy Wright, saw some success in this era and trained Waterloo Cup winning greyhounds at Cummertrees, near Annan.

Ivan Wright passed away in 1971, his death being registered in Banbury and his wife Edith Mary Wright nee Harris died in 1996, her death was registered in West Oxfordshire.


Using Technology: Our First Online Meeting

“I was delighted to give the Wychwoods Local History Society’s first zoom talk. Good preparation on the part of the hosts meant that everything went smoothly, and I hope that everyone enjoyed it as much as I did”.

Liz Woolley, Oxfordshire Local Historian

The society made its own piece of history on October 15th, with its first venture into the world of video-conferencing – a move towards Zoom technology which for many of us is a new, or relatively new, experience.

This is a short report which we hope will encourage members to join us for future events.

Constrained as we all are these days by the restrictions around social gatherings, the society has deftly re-organised its events schedule for 2020/2021. This has been an interesting and progressive experience, with a great deal of understanding from our speaker line-up. Though it is certainly a compromise solution to current difficulties, we are delighted to be settling into a new pattern for the immediate future. We are certainly delighted too, with the outcome of our very first online Zoom session, which attracted a group of around 25 members to a fascinating and beautifully-constructed talk by local historian Liz Woolley.

Liz has in previous years given us fascinating talks in the comfort of the Village Hall, and her experience both as an expert in her field and her encouragement to us in the use of Zoom made her a perfect choice. Aware as we all are of the changes we have to address, Liz tells us: “Zoom talks are no substitute for the ‘real thing’ but until we can all meet again, lots of Oxfordshire history societies are finding that they are a good way for members to keep in touch and still be able to hear some interesting talks”.

And this of course is quite right – the technology clearly demonstrated its benefits during the online arrivals of individual visitors, many of whom had not seen friends’ faces for months on end. There was certainly plenty of “hubbub” in the lead up to the start of Liz’s talk, and people seemed more and more at ease with it all.

CND march, Kensington High St, May 1965. Olive Gibbs 2nd from left, with Marc Bolan, Joan Baez & Donovan amongst others
Olive & Edmund Gibbs at the Cutteslowe Walls Demolition1959

Liz’s talk featured the life and work of Olive Gibbs, the Oxford politician and peace campaigner whose life was a demonstration of a commitment to fairness for all, often at personal cost but always with extraordinary courage and energy. More about the talk is available here >> Olive Gibbs, Oxford politician and peace campaigner

With plenty of Q & A at the end, the evening was lively and entertaining as well as informative. We are grateful to Liz for making this a memorable start to our time with this new format – and of course to all who attended and made the experience so worthwhile.

Please look out for updated details of forthcoming talks on our events page, and please do make contact with the society (members or non-members ) should you have any questions or would like more information about how to join future events. All are welcome!

Some Sculptural Curiosities in Milton-under-Wychwood

You are being watched!

An unusual feature of Milton is the scattering of small pieces of sculpture which adorn a number of properties throughout the village. We are never going to rival Florence in our sculptural adornment, but these little carvings illustrate a sometimes-overlooked theme in the history of the village. This article is firstly intended to provide a record of these items as interesting artefacts within the village and secondly is an attempt to put these sculptures into their historical context and to suggest what their origins may have been, because almost all have been relocated from now unknown original settings. If any of our readers have any information on the further history or origins of these sculptures the History Society would be delighted to hear from you. I must also say thank you to the owners of buildings who have provided information about their sculptures and allowed access to their properties to take photographs.

A PDF of this article is available here

Usually sculptures in small rural villages in the Cotswolds and elsewhere are to be found on and within the local parish church in the form of architectural ornament or funerary monuments. However, almost all the ones described here are scattered among the domestic buildings of Milton, that is unusual. Most of these survivors are a legacy of the presence of Alfred Groves and Sons in the village. Many are probably salvaged features from the demolition or restoration of other buildings in the region by Groves, or sample pieces undertaken by apprentices. There are other pieces of sculpture and ad hoc bits of carving inside a few properties within the village which are not on public view but are also a part of the legacy of Groves’ presence (figures 1 and 2), these seem to be the doodles of masons living locally. Groves was once a huge enterprise in the centre of Milton. The company provided masonry, timber and building skills to many projects throughout Oxfordshire and Gloucestershire including Oxford Colleges and St Paul’s Cathedral in London. Their heyday was in the second half of the 19th Century, and early 20th Century. An account of their history by Norman Frost appears in volumes 7, 8 and 9 (1992/93/94) of the Wychwoods History Society Journal.

Figure 1 relief carving of a lion (?) inside property on Milton High Street
Figure 2 Standing man carved into a quoin now inside a property on Milton High Street

Wooden figure of angel playing a woodwind instrument

The oldest surviving figure sculpture in Milton is the wooden, probably oak, carving of a figure playing some sort of woodwind instrument. This instrument is sometimes identified as a shawm (figures 3 and 4). He has wings and is therefore an angel. Unfortunately, he is no longer on public view, but for a long time he occupied a niche on the front of the former Wesleyan Mission Room on Milton High Street. He is thought to date from the 15th Century.

Figure 3 Angel Musician front view, former Wesleyan Mission Room
Figure 4 Angel Musician side view, former Wesleyan Mission Room

He might have been a fixture in Milton for many years before he was given his own niche in this prominent location on the High Street sometime in the later 19th Century (figure 5). His time outdoors has taken its toll and he was taken down around 2006 and is now housed indoors. His origin is unknown, he almost certainly formed part of a decorative scheme of such figures in a religious setting, and it has been speculated that he may once have formed part of the decorations of nearby Bruern Abbey before it was dissolved by Henry VIII.

Figure 5 Photomontage of the angel within his niche

There is a strong tradition of such musical angels in churches in East Anglia and figure 6 shows one such from St Wendredas in March, Cambridgeshire. This is one of 118 figures of angels in this church. Similar figures appear in the church of St Mary the Virgin in Ewelme, Oxfordshire, a little closer to home.

Figure 6 Wooden figure of musician angel forming a corbel to the roof of St Wendredas, March, Cambridgeshire, early 16th Century
Figure 7 Wooden figure playing woodwind instrument from La Maison d’Adam, Angers c1491

There is of course a tradition of musical angels in European painting and sculpture from the middle ages and they also sometimes appear in secular settings. A distant cousin of our figure can be seen on La Maison d’Adam in Angers, France (figure 7), a late medieval house from 1491, and therefore of a similar age to our figure, just one of the many carved figures which decorate this French house.

Two stone heads on St Michael’s – a house on Milton High Street

These two heads were not made for this location but have been repurposed from their original locations sometime in the late 19th Century when this property was probably upgraded. The uppermost grinning figure forms a corbel that supports the timber strut-work that now decorates this gable (figure 8). Strut-work of this type was becoming a popular architectural feature in the area towards the end of the 19th Century. He is much weathered and has the appearance of a gargoyle. Again, this figure may also have been salvaged from some church restoration undertaken by Groves. He is difficult to date, possibly 18th or early 19th Century. Such caricatures frequently decorate local churches, and many Oxford Colleges (figure 9) and one or the other may have been his original function.

Figure 8 Uppermost head on gable end of St Michael’s, High Street
Figure 9 Gargoyle from New College Oxford

The lower figure is a different sort of character (figure 10) and has the appearance of a portrait. There is evidence of a moustache extending to bushy sideburns, and his shoulders appear to be adorned with toga-like drapery. These details date him to the early to mid-19th Century. The toga draped busts of British worthies of the Georgian and Victorian era decorate many a provincial town hall or art gallery, not to mention the Houses of Parliament. Such portrait busts were also used to decorate the façade of public buildings. The heads of Shakespeare and Garrick feature on many a theatre façade, and famous artists feature on municipal galleries. There are quite a few for example on the National Portrait Gallery. Figure 11 shows one such figure that decorates a building in Bath. It would be nice to know who our character is, but his rather eroded and decrepit state makes this a tricky task.

Figure 10 Lower head on gable end of St Michael’s High Street
Figure 11 Head of a bearded figure on the facade of former premises of S F Andrews, Provision Merchant, in Union Street, Bath, 1885

Female head on Dashwood House

The head of a young woman projects from the wall above the doorway to Dashwood House on Shipton Road (figure 12). The building dates from the late 19th Century, but the stone head of the young lady is from elsewhere, and possibly 18th or early 19th Century. She was probably carved as either a supportive corbel or as a carved termination of a drip hood such as are frequently seen on English parish churches. Rather weathered examples can be seen on the nearby Church of St Mary in Shipton, but a close relation of our girl can be found as a decorative termination to a drip hood to a window on St Edwards in Stow-on-the-Wold, this was probably the original intended function of our young lady.

Figure 12 Stone head of young woman on Dashwood House, Shipton Road
Figure 13 Female head terminating drip hood on St Edwards, Stow on the Wold

Bulls Head, Milton High Street

A prominent piece of sculpture on the High Street is the carved bull’s head topped by a ball finial atop the gable of what is now the High Street entrance to the small development of Harman’s Court (figure 14). The single-story building is modern rebuild of a similar structure on the site that once served as a butcher’s shop by the name of Harman’s. The back of the premises once housed an abattoir. The bull’s head was in situ on the original building and was saved and re-mounted on the replacement building which is now a domestic residence. The building opposite was once a pub called The Butcher’s Arms. Our bull now serves as an important reminder of this now hidden past. Nonetheless, he is also a refugee from some other location, as it is highly unlikely that a small village butchery would have commissioned such a statement piece of sculpture. Again, the hand of Groves is seen in the re-homing of the bull’s head here. He probably dates from the mid-19th Century and would have once adorned some Victorian Market Hall. Similar examples can be seen on Victorian Market Halls in many larger British cities. Figure 15 shows an example from the former Smithfield Market in Manchester.

Figure 14 Bull’s Head, Milton High Street
Figure 15 Bull’s Head, Former Smithfield Market Hall, Manchester, 1858

Boar’s Head, Groves Industrial Estate

A companion to the head of the bull can be found atop a gable on one of the buildings just behind Groves’ hardware store. It is the head of a boar, perched high on this gable, and he is difficult to see. However, he is also a rehomed piece of stone carving from a now unknown location, but possibly also from a former market hall.

Figure 16 Carved stone head of a boar, Groves’ Industrial Estate

Kneeling Praying Figure, Brasenose, Shipton Road

This surprising figure sits on a pierced gothic plinth sited above a door canopy on Brasenose, a cottage on Shipton Road. It shows a kneeling praying figure with face raised heavenwards (figure 17). The figure is not well detailed partly through weathering and partly by the design of the unknown sculptor. He is a rather simplified copy of a figure originally known as the Bambino Inginocchiato Orante (Kneeling Child Praying) originally conceived by the Florentine sculptor Luigi Pampaloni (1791-1847). Pampaloni first executed the figure in plaster in 1826 (Accademia Belle Arte, Florence). It was a commission for a funerary monument to the daughter of the Russian noblewoman Anna Potocki. The original design had the unclothed boy kneeling on a cushion (figure 18).

Figure 17 Figure of kneeling child praying, Brasenose, Shipton Road
Figure 18 Luigi Pampaloni, Kneeling Child Praying c 1830, sold at Sotheby’s 10/07/19

The figure became an enormous success and subsequently Pampaloni and his assistants executed many copies in marble that can be found in museums and graveyards across Europe. Whilst the original praying boy was conceived as a nude statue the concept was taken up by many other sculptors throughout the 19th century. In many of these variants his modesty was often preserved by the addition of a discreet piece of cloth draped over his right leg (figure 19). This is the version copied in the Milton figure. There are now probably thousands of versions of this figure throughout the world, many featuring as funerary monuments to young children. The one illustrated here is in the churchyard of St John the Baptist in Tibshelf, Derbyshire from the early 20th Century (figure 20). Our modest figure, from the late 19th or early 20th Century, was probably also originally intended to decorate a funerary memorial. This is reinforced by the gothic base containing a candle, a symbol of the brevity and fragility of life. However, whose memorial this was intended to be and how it ended up as a decoration to this door canopy we might never know.

Figure 19 Figure of Praying Child, attributed to Vincenzo Vela (1820-1891) Biblioteca de Nava, Reggio Calabria, late 19th Century, now with added loin cloth
Figure 20 Figure of praying child as part of child’s gravestone, St John the Baptist, Tibshelf, Derbyshire. Early 20th Century

Sculptural collages on Holmleigh, Jubilee Lane.

The next item is what might be described as a sculptural collage of various carved fragments inserted into each gable end of Holmleigh on Jubilee Lane. The house bears the date 1869 and was almost certainly built by Groves. The fragments are obviously from different sources, and from different types of stone. Many of the fragments seem to have funerary associations and were perhaps intended to form parts of gravestones. The composition on the right-hand gable contains the head of a cherub. Similar cherub heads can be seen on gravestones in Ascott and Shipton Churchyards, and a rather faded one appears carved above the doorway to Stone Porch, a house on the High Street. Beneath the cherub is a carving of a weeping willow arching over a cross and some tombstones. The weeping willow is another common motif on Victorian gravestones for obvious reasons, though I have not been able to find any on local gravestones. The assemblage includes some gothic arches, placed horizontally, and vertically in a rather whimsical composition. These fragments are again almost certainly salvaged pieces from demolition jobs or renovation jobs, or even perhaps apprentice pieces done by younger masons working for Groves.

Figure 21 Assembly of carved fragments in North-west gable of Holmleigh, Jubilee Lane
Figure 22 Assembly of carved fragments in the south-east gable of Holmleigh, Jubilee Lane

Hooded figure on Forest Gate (Formerly Frogmore House)

Our next sculpture comes from a grand late Victorian villa on Frog Lane (figure 23), formerly known as Frogmore House but now called Forest Gate. The house dates from the very early 20th Century and is quite a statement property with its multiple gables and large stained-glass windows to the main façade. Topping the pyramidal roof to one of the front bays is a cowled figure made from terracotta. He is the only sculpture in our study to occupy his original intended location. Figural terminations to roof lines were common on some of the grander houses of the later 19th century, dragons being a particular favourite. There is a terracotta dragon on one of the gables to the nearby Woodhill, the Sands (originally known as Holmleigh) which is of about the same date. This figure, half man half beast – note the claw like feet – is a re-imagining of the many hybrid-creatures that decorate churches and cathedrals and colleges up and down the country (figure 24). His face, however, is no caricature but has the look of a sensitively modelled portrait; one assumes he is the person who originally had the property built, some further research is needed here.

Figure 23 Terracotta sculpture of a hooded man with claw feet, Forest Gate, Frog Lane c 1903
Figure 24 Corbel with carved head 14th Century, Museum of Fine Arts Boston

Mother and Child by Constantine A Smith, Broadstone, Green Lane

The carving of a Mother and Child sitting in front of a house on Green Lane is something apart from most of the other sculptures in this article: it is freestanding, rather than attached to a building, and it is the first piece of “modern” sculpture to appear in the village. It was commissioned by a former owner of Broadstone, and executed by the sculptor Constantine A Smith, about whom little is known other than that he was Cheshire based and active in the 1960s and 1970s. This sculpture dates from circa 1970. It shows a naked woman sitting cross legged on the ground cradling a young child who clings to her, burying its face in her body in a naturalistic way, though in other ways this carving might be described at expressionistic rather than naturalistic. The sculptor has exaggerated the size of hands and feet and generally simplified the swollen forms of the figure and stylised the facial features of the woman, perhaps in an attempt to express the fecundity of motherhood. The image of the mother and child has a long and daunting history in Western art, including the many images of the Madonna and Child, and even with the decline of the church as a patron of such works, sculptors have continued to tackle this iconic subject. This figure is a secular version of the subject, a kind of Earth Mother, naked and seated almost directly on the ground. The style can be described as broadly modernist, owing much to the revival of the technique of direct carving (working directly in stone rather than preparing a model in clay or plaster to translate to stone) as promoted by sculptors such as Eric Gill and Jacob Epstein in the early decades of the 20th Century. The sculptor has left the texture of his toothed chisel very evident in the carved surfaces. If we want a very direct precursor for this Mother and Child we need look no further than the figure of Genesis by Jacob Epstein from 1931 (figure 26), a sculpture that was hugely controversial in its day.

Figure 25 Mother and Child by Constantine Smith circa 1970, Green Lane
Figure 26 Jacob Epstein, Genesis 1929-31, Whitworth Art Gallery

Carved Head of Dr Who, façade of Groves Hardware Store, Shipton Road.

Our final head appears after a gap of over a hundred years since the last head was added to the village (Forest Gate), so represents a renewal of this Milton tradition. He projects from the upper story of Groves new hardware store which was re-built after a fire in 2014. He is also a sculpture that was originally intended for another location, and was one of a number of heads commissioned as part of a Groves’ maintenance project on the medieval church of Holy Trinity in Bledlow.

Figure 27 Carved head depicting Patrick Troughton as Dr Who, Groves Hardware Store 2014

However, for reasons unknown this head was not used. The other heads for this church included the four members of the Beatles and the local lord of the manor Lord Carrington. The head featured on Groves hardware store is intended to be the actor Patrick Troughton as Doctor Who. He was again to be a figure terminating a drip hood. And so the tradition continues.

Further Reading

Michael Rimmer: The Angel Roofs of East Anglia: Unseen Masterpieces of the Middle Ages, 2015.

The volumes in the Public Sculpture of Britain series published by Liverpool University Press since 1997

Benedict Read: Victorian Sculpture, Yale University Press, 1982

Maria Teresa Sorrenti: Per il collezionismo reggino dell’800. Il “Putto orante” della Biblioteca “Pietro De Nava” di Reggio Calabria, nd.

Picture credits

All images copyright of the Wychwoods Local History Society except:-

Fig 6 – courtesy of Lynne Jenkins
Fig 1 and 2 – courtesy Peter Bradford
Fig 15 – courtesy Manchester Evening News
Fig 18 – courtesy Sotheby’s
Fig 19 – courtesy of the Biblioteca Pietro de Nava, Reggio Calabria
Fig 24 – courtesy of Museum of Fine Arts Boston
Fig 26 – courtesy of Whitworth Art Gallery, Manchester

Apprentice Boys: Charity Records Revisited


Here is an article by Wendy Pearse, published in the Society Journal No 30, 2015

In the latter part of the 20th century the long-established firm of Farrant and Sinden Solicitors of Chipping Norton uncovered a chest of documents relating to the Ascott Poors’ Estate Charity.

The chest’s contents were catalogued by the Oxfordshire Record Office (now Oxfordshire History Centre); brief summaries of the documents were typed on to catalogue cards, copies of which were handed to the Ascott Parish Council and the Charity Trustees. One set of copies is kept in the Tiddy Hall at Ascott-under-Wychwood. The Poors’ Estate Charity of Ascott-under-Wychwood helped the needy in several ways: during the second quarter of the 19th century one of its aims was to help with apprenticeships for poor boys.

These apprenticeship indentures cast some extra light on Ascott’s inhabitants at that time. Between January 1823 and July 1848 the Charity trustees arranged twenty-one apprenticeships for Ascott’s youths. Exactly what criteria were required to apply is unknown, but only eight families are represented, with two families having four sons apprenticed and two families having three.

The first Indenture was made in 1823 for Luke Quarterman, who was sixteen and apprenticed to the trade of shoemaker. In fact, sixteen of the applicants were bound to training as shoemakers, including in 1841 another Quarterman, William, and later the two sons, Israel and George, of Sarah Quarterman, a young widow. They were both thirteen at the time of their Indentures in 1846 and 1847. Sarah’s family lived in High Street, then known as Upper Street, as compared to Lower Street (Shipton Road), which was nearer the river. With the consent of his father William, Luke of the earliest Indenture was to be bound to John Parrott of Charlbury, Shoemaker, for five years from 14th January 1823.

The Trustees of Ascott Charity – James Ansell (solicitor), Thomas Chaundy, James Hyatt, John Chaundy and John North (all farmers) and C. R. Henderson (solicitor) – signed the document in consideration of the sum of £14. Half the sum was paid to John Parrott at the binding and half two months later, while another £2 was paid to Luke’s father at the time of the binding to be laid out in clothes for his now-apprenticed son. Among the earlier Indentures the consideration sum varies between £12 and £14 (later rising to £16), but in three cases it is only half that. This smaller sum may partly be explained by the situation concerning George Venville, one of the three apprenticed sons of Hannah Venville, a widow living in one of the References 1. Oxfordshire History Centre, A. S. P. E. C. I/1/I and I/1/ii. 2. Written alongside the text at the beginning of the document.

Charity properties in the vicinity of Church Close. William, the eldest, had been apprenticed in 1833, aged sixteen, to a mason at Burford, when Hannah, already widowed, was aged thirty-two. In 1834 Charles, aged apparently only nine, had been apprenticed for seven years to a pipemaker in Burford. George himself was apprenticed at sixteen to George Groves of Kingham, shoemaker, in 1843. William and Charles’s considerations were for £12, whereas George’s was £16 for five years. Two years later, however, George was reapprenticed to John Adbury of Adlestrop, shoemaker, for £6 for three years and two calendar months. Presumably George Groves died and the Trustees made other arrangements.

A number of Indentures are for six or seven years. Apart from shoemakers, two boys were bound to blacksmiths, two to tailors and one to a mason. I know the ages of only twelve of the applicants, which vary from twelve to seventeen years, Charles Venville being an exception. It is to be hoped that his lot was not as dire as we might imagine for a child taken from his home so young. At least Charles was only in Burford, whereas some of the others went to Witney, Eynsham, Faringdon, Hook Norton and Bourton-on-the-Hill. Only two of the youths were able to sign their names on the Indentures, but, surprisingly, Hannah Venville signed all her sons’ Indentures despite the boys’ inability to make more than a mark.

There is one unusual case when in 1833 a £7 consideration was arranged for William Baughan for a five-year apprenticeship to a cordwainer (shoemaker) in Bristol. It appears, however, that his mother, Mary, was living in Bristol; perhaps William had been born in Ascott and therefore qualified for a certain amount of assistance.

I can follow only one boy in Ascott into later life. Two of the sons of Richard Weaver of Upper Street were bound to apprenticeships: Charles in 1844 to a shoemaker in Eynsham and John in 1848 to a cordwainer in Hook Norton. Charles actually returned to Ascott in the 1850s to ply his trade. He married Mary Ann, from Somerset, and together they produced a family of six, living at the eastern end of Upper Street until at least the 1880s.

Copies of the Wychwood History Journal, Number 30 (2015) are available to buy: £3.50 [ How to Buy ]

Articles include: Brasenose Leases; “All Christians for Evermore”: the Ascott Village Charity; Apprentice Boys; A Study of the Vegetable Gardens in Shipton and Milton View as PDF here

Wychwoods Victorian Evening 1990

In January 1990, the new decade was celebrated in truly entertaining style by the society. Here we present the show, digitised from the old VHS tape which recorded the event.

The Victorian evening was based on the format of a concert given in Milton Board School in 1885. Society members and friends entertained the audience with a feast of words and music depicting late Victorian life in the Wychwoods and surrounding areas.

The cast played, sang or recited from contemporary sources with material created and researched by members. Many aspects of everyday life were included – Christmas, cooking and health were prime examples. Farming life with its attendant problems was also part of the show. The themes made many references to low pay, woodland disappearance, emigration, the coming of the railways and fear of the Workhouse. Much more fun than it sounds!

We hope you enjoy the show.

Ascott Village Charity Booklet: Village History and Things to Know

A publication funded by the Ascott Village Charity can be seen here. The publication is offered courtesy of the charity. It highlights the fascinating and varied history of the village.

Ascott Earl Castle Looking South East: photo Hamish Fenton

The booklet contains a variety of maps and images. These include features of the village from Neolithic times and the later Iron Age. It describes Saxon field systems and also the Norman Age which saw the building of Ascott’s 12th Century Holy Trinity church. Also described is the founding of the Ascott Village Charity in 1480. Finally, the booklet also covers medieval, Victorian and 20th Century events and personalities.

All in all, this is a handy guide and is an inspiration to wander through the village and its surroundings and soak up its varied and deep past.

The booklet is available here as a PDF.

A Short History of Ascott-under-Wychwood
Copyright © Ascott Village Charity 2016
Thanks to Ascott Village Charity for permission to include this booklet. Not to be reproduced or distributed without the Charity’s written permission. Please check back with the Charity for any updates and amendments.